redefined the state of the art in digital audio hardware design. The original Symphony I/O could be used as an expander for a Pro Tools HDX system, or be connected to a host Mac for native operation either using a dedicated PCIe card or over USB 2. For connecting to an existing Pro Tools HD Accel, HD Native or HDX system. The Maestro utility software still looks dated. Apogee Symphony I/O 16x16 MK2 vs MOTU 16A. Perhaps the most obvious rival to the Symphony I/O MkII is Lynx’s Aurora, a high-quality 16-channel converter that can be used with Pro Tools HDX or natively over Thunderbolt, USB or PCIe on both Mac OS and Windows. The Symphony I/O MkII is another classy product from Apogee, offering impressive performance and a very slick user experience. Get a glimpse inside the world of WhyBeatZ as we dive a little deeper into his story. The Symphony MkII’s rear panel loaded with the 16x16 MkII and 8x8 MkII modules. $8,729. Symphony I/O Mk II includes the most refined analog-to-digital converter we’ve ever designed. Finally, the host Symphony I/O base unit also sports a few connectors of its own. Line outputs 1 upwards can be configured in various ways to meet the needs of your studio. Apogee Control hardware remote connects directly to your Mac using the included USB cable. All contents copyright © SOS Publications Group and/or its licensors, 1985-2021. Contact Apogee Tech Support – Chat and Email Response. ‘Get-it-right-at-the-source’ gain … With Standalone mode you can also bypass the converters of your existing gear. "I’ve never felt that there could be one “perfect converter” because interface needs significantly vary from one user to the next, but after reviewing Symphony I/O Mk II, my feelings have changed. © Copyright - Apogee Electronics Corp. All Rights Reserved. Apogee infused the Symphony I/O MkII 2x6 SE with their most advanced conversion ever. Modular Audio Recording Interface Chassis including 2 I / O Module, Module 1: 8 x 8 analog I / O 8 × 8 AES / Optical I / O (Mk II), Module 2: 8 Channel Mic Preamp, 1 free rack unit for optional... Recording / Playback Channels: 22x20; Number … A Dual Sum A/D stage – where two conversion stages are summed for each analog channel – offers the lowest distortion and greatest dynamic range of any A/D converter we’ve ever designed – you get digital recordings that are true to your analog inspiration. Like every flagship product we’ve introduced, Symphony I/O Mk II benefits from on-going expertise that constitutes the Apogee Engineering Advantage, once again pushing forward the state-of-the-art. HDX compatibility is retained in the new MkII version, and from sometime later this year, it should be possible to integrate it with the Waves/Digico Digigrid range also. If your budget will permit and there’s a Symphony I/O MkII configuration that meets your needs, there’s very little reason to think twice. Symphony I/O Mk II and Waves eMotion LV1 digital software mixer makes this possible for any size touring band. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O is the … Yu Siyuan, better known for his stage name WhyBeatZ, is a professional DJ/Music Producer from China who was been a force in the music industry for 10 years. Apogee Symphony I/O 16x16 MK2. to the product. Vendeur. Remises, offres, des offres spéciales pour Audio / Equipement DJ sur ShopMania. Waves’ plugins and Apogee AD/DA conversion are industry standards in the recording studio. Apogee Symphony I/O – 8 Mic Preamp Module (Card/Module Only) For sale, is a great condition 8 microphone preamp (8MP) module for the Apogee Symphony I/O. Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. The other module in the range is also retained from the MkI, though it wasn’t available when we reviewed that system, and is interesting in that it doesn’t actually add any I/O at all. All audio … Austrian Audio OC818 Dual Set Plus microphones. Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs. The interface is sensibly organised into pages, which make good use of the available space without ever feeling cramped. It’s not often you can describe an audio interface as being a joy to use, but the Symphony deserves praise for its user-friendliness. Having originally championed the Firewire expansion protocol, Apple then unceremoniously dumped it in favour of Thunderbolt, before … (In fact, it seems to be entirely unaltered since I reviewed the Ensemble Thunderbolt in May 2015, so consult that review if you want to know more: www.soundonsound.com/reviews/apogee-ensemble-thunderbolt). Need to speak to an Apogee rep? to the product. In practice, unsurprisingly, I found the low-latency performance of the Symphony I/O MkII to be very similar to that of the Ensemble Thunderbolt — which is to say, extremely good. Still, a bit of luxury never goes amiss, and you’d imagine it makes a more flexible platform for future developments. Ne payez pas trop et trouvez les meilleurs prix et offres apogee symphony i o mk2 et occasions O.P.I. Expansion card for Apogee Symphony MK2. Tracks will blend more harmoniously and mixing will simply be easier. ", Symphony Control also provides compatibility between Symphony I/O Mk II audio interfaces and the Apogee Control hardware remote accessory. The Symphony I/O has an in-built fan which whirrs alarmingly during power-on, but proved to be completely inaudible in use. Designed in California, Built in the U.S.A. Change your input selection, monitoring levels, mic pre gain or calibrate your Symphony I/O Mk II to match the levels of the other analog gear in your system. One of the big improvements Apogee made in the design of the Ensemble Thunderbolt compared with its Firewire predecessor was to make it much more controllable from the front panel. The two 16‑channel cards are new and compatible only with the MkII Symphony I/O, while the other two were originally developed for the MkI and remain in the range. Symphony I/O Mk II’s option card slot gives you and your studio flexibility. The new Symphony I/O MkII takes that a step further, with a full-colour touchscreen that makes nearly every parameter adjustable with a few finger-presses. The various input and output options available for the Symphony I/O are described in the box; for this review, we were supplied with a Thunderbolt Symphony I/O MkII with the 16x16 MkII and mic preamp modules fitted, giving a total of 16 analogue inputs and outputs, the first eight inputs having mic preamps. Get answers now in the The price and ‘one-trick-pony’ nature of a converter like the Symphony Mk II position it within reach of only those who rate quality conversion very highly. As well as individually switchable polarity, high-pass filters and phantom power, they provide a huge 85dB gain range, adjustable in 1dB increments either from the front panel or from the Maestro utility. Symphony I/O mkII’s mic pre modules include Apogee’s Advanced Stepped Gain Architecture™, in which the circuit is dynamically optimized to provide superior bandwidth, ultra low noise and nonexistent distortion across the entire gain range. Apogee say that, at a 96kHz sample rate in Logic Pro X, the lowest 32-sample buffer size should deliver a round-trip latency of 1.35ms, and although my three-year-old MacBook Air couldn’t quite manage that, I’ve no doubt that that’s realistic on a newer machine. As a result, we’ve seen a lot of companies update or refresh their audio interface offerings over the last couple of years, Apogee among them. Of the theoretical 14 inputs and 18 outputs on the card, eight of each can be used simultaneously. The new Symphony I/O Mk II comes with direct connectivity to one of 4 different platforms- Thunderbolt™, Pro Tools® HD, Dante™+ Pro Tools® HD, or Waves SoundGrid network. Having originally championed the Firewire expansion protocol, Apple then unceremoniously dumped it in favour of Thunderbolt, before swiftly consigning the familiar PCI slot to the same dustbin. Apogee Control hardware remote connects directly to your Mac using the included USB cable. Aller au produit. Boasting state-of-the-art audio performance, streamlined front-panel control, extremely low latency, integration with Apple’s Logic Pro X, and innovative guitar recording features, I’d go so far as to say that of all the project-studio interfaces I’ve reviewed recently, the Ensemble Thunderbolt is probably my favourite. Next to this, however, is a numeric read-out of the gain setting which is much easier to pinpoint with the mouse; this too can be clicked and dragged, and you can hear the gain changing as you do so, but as soon as the mouse button is released, the gain reverts to its original setting. A high-resolution TFT display delivers all the visual feedback critical for recording and monitoring. Apogee Control gives you instant access to input and output levels using the large Symphony-inspired Control knob and 3 control knob focus buttons, plus direct access to a wide range of software functions using the 8 user-configurable hardware buttons. And at the same time, progress in the design of components such as A-D converters has been yielding modest but steady performance improvements. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro … Reasons not to buy one are few: apart from the sheer cost, the only major issue I can see is that despite its modular nature, the Symphony I/O MkII Thunderbolt is not as flexible or as expandable as some rival products. If that’s not a pressing concern, you could also consider the more affordable MkI 2x6 module (£1618.80), the only one that boasts XLR sockets. Best AD/DA conversion of any Thunderbolt™ audio interface, Up to 32 channels of modular analog I/O with optional mic preamps, Best per-channel value of any interface in its category. The new temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly. For connecting to a Thunderbolt equipped Mac running Logic Pro X or any other Core Audio compatible DAW. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The base unit can pass up to 32 channels of audio to the host computer, but with only two I/O slots per chassis, not all combinations of I/O card will fulfil this potential. Apogee Symphony I/O Mk2 TB 24x24, Interface audio d'enregistrement modulaire, Châssis comprenant 2 modules d'entrées / sorties, Module 1: 8 x 8 entr Comparer les prix apogee symphony i o mk2 et enregistrer la comparaison. MOTU 16A. This unique approach to headphone amplification dynamically compensates for the nonlinearities of any connected headphones, providing massive power while maintaining extremely low distortion and linear frequency response. Connect to the Waves SoundGrid System for studio, live and post production audio networking with real-time DSP for Waves and SoundGrid compatible third-party plugins. Like its predecessor, it makes a very attractive prospect as a front end for a Pro Tools HDX system, while in its native Thunderbolt guise, it offers low-latency performance that is about as good as it gets. Symphony I/O Mk II features advanced controls to keep the unit running at an ideal temperature, ensuring the highest level of performance and reliability. This is the Apogee Advantage. It also features four quarter‑inch jack sockets designed for the direct connection of electric guitars and other instruments. This offers eight analogue ins and outs, again on D‑subs, plus coaxial S/PDIF and a third D‑sub connector carrying eight channels of AES3 digital audio in and out. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. One thing that caught me out a few times is that swapping between pages doesn’t automatically change the focus parameter, so if, for instance, you switch to the input page, the encoder will continue to adjust headphone level rather than automatically switching to adjust preamp gain. Apogee Symphony I/O Mk2 TB 32x32. A nice feature of the Symphony I/O is built-in monitor control, which is flexible enough to handle most common situations. Apogee Control is $195 USD and is sold as a separate accessory by authorized Apogee dealers worldwide. Apogee Symphony I/O Mk2 TB 8+8mp. Tech support is free for current & some legacy products only.Speak to an agent via live chat in the lower right corner of your screen (during chat hours), or submit a … Sachez plus sur Apogee Symphony I/O Mk2 TB 16x16 et vérifiez les avis d'autres acheteurs. Standalone AD/DA converters can be used alongside other digital gear: To expand other interfaces, to connect to live or studio digital consoles, to connect to broadcast equipment. Apogee Symphony I/O Mk2 TB 8x8. With the introduction of Symphony Control, customers can now use 2 Symphony I/O Mk IIs  simultaneously for up to 64 channels of I/O over a Thunderbolt connection to their Mac. Apogee Symphony I/O 16x16 MK2. Apogee’s Symphony interface has been Thunderbolted, touchscreened and released back into the world as the Symphony MkII. Mute, dim and mono options are also available; however, there is no talkback, nor any stereo downmixing options for the surround monitoring. Instead, it piggybacks on either the 16x16 or 8x8 modules, adding digitally controlled mic preamps and insert sends and returns, again on D‑subs, to the first eight line inputs. These have four D‑sub connectors, each carrying eight channels of analogue signal, plus a pair of coaxial S/PDIF sockets which, if used, replace a pair of the analogue I/O. Change is a fact of life in computer-based recording, and over the last few years, we’ve seen more than our fair share of it. There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Multiple Apogee Symphony I/O Mk II SoundGrid units; Compatible network switch; Optional SoundGrid DSP servers . Hardware remote accessory quality can be accessed from the ground up and recording within minutes II SoundGrid as in! 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